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UIowa Dance Summer Dance Workshop

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Summer Dance Workshop Showing

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  • ABSENCE (premiere)
  • Believing in Saints. (work in progress)
  • From Afar (premiere)
  • Quiéreme Entera (premiere)

May 27 // 7:00PM
Space Place Theater

 

Join us for a showing of the work from the Summer Dance Workshop at Space Place Theater in UI North Hall at 7 p.m.!

The free Summer Dance Workshop runs from May 15–27, where students have the opportunity to work with fantastic guest artists Zach Manske with Joffrey Ballet of Chicago, Lidice Nuñez with the Contemporary Dance Company of Cuba, and Alexis Zanety formerly with Cuba's National Dance Company.

Program:

ABSENCE (premiere) – Choreographed by Alexis Zanety
Believing in Saints. (work in progress) – Choreographed by Eloy Barragán
From Afar (premiere) – Choreographed by Zachary Manske
Quiéreme Entera (premiere) – Choreographed by Lidice Nuñez

Performances

ABSENCE (premiere)

Choreographed by Alexis Zanety

Believing in Saints. (work in progress)

Choreographed by Eloy Barragán

From Afar (premiere)

Choreographed by Zachary Manske

Quiéreme Entera (premiere)

Choreographed by Lidice Nuñez

Meet the Guest Artists

Zach Manske headshot

Zach Manske

with The Joffrey Ballet
Lidice Nuñez headshot

Lidice Nuñez

with Contemporary Dance Company of Cuba
Alexis Zanety headshot

Alexis Zanety

former first soloist for Cuba’s National Dance Company

Dancers Performing at the Showing:

Alyssa Alber
Amya Lopez
Cassidy Banwart
Claudia Jacobson
Katelyn Perez
Marcus Pei
Maddison Bulman
Soraya Cohen
Paige Waller

Dancers Participating in the Workshop:

Alyssa Alber
Amya Lopez
Audrey Michaels
Cassidy Banwart
Claudia Jacobson
Hayden Jensen
Jessica Zhao
Katelyn Perez
Linsey Wildman
Maddison Bulman
Marcus Pei
Margaret O’Gorman
Margaret Steimel
Mariana Tejeda
Sidney Cowles
Soraya Cohen

University of Iowa Acknowledgement of Land and Sovereignty

As an academic institution, it is our responsibility to acknowledge the sovereignty and the traditional territories of these tribal nations, and the treaties that were used to remove these tribal nations, and the histories of dispossession that have allowed for the growth of this institution since 1847.

Read the full Acknowledgement of Land and Sovereignty

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