The interdisciplinary artist, choreographer, and scholar, Christopher-Rasheem McMillan, is an assistant professor of dance theory and practice and of gender, women’s and sexuality studies at the University of Iowa. McMillan earned a BA from Hampshire College, an MFA in experimental choreography from the Trininty Laban Conservatoire of Music and Dance, London and a PhD in theology and religious studies from King’s College London. In 2019, he was awarded the Collegiate Teaching Award, the highest teaching honor of the College of Liberal Arts and Sciences at the University of Iowa. In 2020, McMillan was appointed a fellow at the Yale Institute of Sacred Music in Theology and the Arts, and he was named a Resident Fellow at New York University’s Center for Ballet and the Arts in 2021. Currently, he is completing a fellowship at the Center for Afrofuturist Studies. McMillan’s research explores choreography in an expanded field, an interest that he has approached through experimental practices and creative processes in a multiple formats and expressions. He uses video, performance, photography, and oral storytelling to explore themes of race, memory, queer desire, religion, and personal and public mythology. McMillan's work is deeply rooted in spirituality and embodiment. He draws from his background in theology and corporeality to question social inequity and injustice in practice and theory.

His current project, Sacred Grounds, follows two interdependent approaches: the completion of a book entitled Performance Criticism: Scripture, Sex, and the Sacred and an evening-length performance, Sacred|Body as Choreology. Together, these components will create new knowledge, methods, and approaches not only for theorising the cultural impact of the choreographic through theological discourse but also for creating practical and impactful approaches to body-based art and meaning-making.

McMillan’s latest dance work, The Long Way Home (2021), was commissioned by Black Mountain College Museum, and his seminal dance work, Black Lokes (2017), an authorized reconstruction of Trisha Brown’s Locus, has been written about by Alexander Schwan and theorist Magarita Dechelva. He has danced the works of Merce Cunningham, Dan Wagoner, Paul Taylor and many others. McMillan regularly presents his work at Dance Studies Association (DSA) and has been to selected to participate in think tanks such as the Black Performance Theory (BPT) working group (2019).

McMillan’s performance works have been featured at venues such as the Bates Dance Festival of Bates College, Providence International Arts Festival (PVD), the Dance Complex and Green Street Studios in Cambridge, Massachusetts as well as in performance platforms such as the participatory event Beyond Text, London (2011). He was a Five College Fellow for the 2013–2014 academic year and a Grant Wood Fellow for the 2016–2017 academic year. McMillan has been a guest artist at colleges and universities including Reed College, Amherst College, Middlebury College, Franklin and Marshall College and Roger Williams University. He has performed and collaborated with artist such as T. J. Dedeaux-Norris, Wendy Woodson, Netta Yerushalmy, Cathy Nicoli and Jonathan Gonzalez. His writing has appeared in multiple journals, including The Journal of Dance, Movement & Spiritualities, Liminalities and Contact Quarterly.